MARC record from Internet Archive

LEADER: 03445cam 2200505 a 4500
001 ocm34515605
003 OCoLC
005 20191016123844.0
008 960322s1996 nyua b 000 0 eng
007 ta
010 $a 96014196
040 $aDLC$beng$cDLC$dBAKER$dBTCTA$dYDXCP$dVP@$dHEBIS$dILU$dBDX$dEUM$dBUR$dGBVCP$dOCLCF$dOCLCQ$dLTU$dWLU$dOCLCQ$dOCLCO
019 $a963717606
020 $a0061053147$q(trade paperback)
020 $a9780061053146$q(trade paperback)
035 $a(OCoLC)34515605$z(OCoLC)963717606
050 00 $aPN1997.B596$bS26 1996
082 00 $a791.43/72$220
100 1 $aSammon, Paul.
245 10 $aFuture noir :$bthe making of Blade runner /$cPaul M. Sammon.
260 $aNew York :$bHarperPrism,$c1996.
300 $axix, 441 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 433-435).
520 $aThe 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti had known all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamorous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.--Publisher description.
505 0 $aIntroduction: One man's obsession -- The film -- The book -- Development -- The director and the deal -- Script wars -- Designing Blade Runner -- The cast and crew -- The shoot -- "Blood Runner": friction on the set -- The special effects -- Postproduction and the music -- Sneaks and panic -- Voice-overs, San Diego, and a new happy ending -- The theatrical release -- The cult -- The workprint -- The director's cut -- Final shots -- App. A: Interview with Ridley Scott -- App. B: Different faces of Blade Runner: how many versions? -- App. C: Blade Runner blunders -- App. D: Blade Runner online -- App. E: The score: Blade Runner soundtrack catalog.
630 00 $aBlade runner (Motion picture)
630 07 $aBlade runner (Motion picture)$2fast$0(OCoLC)fst01366328
630 07 $aBlade runner$2gnd
653 0 $aBlade runner (Motion picture)
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780061053146.pdf
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/hc042/96014196.html
938 $aBaker & Taylor$bBKTY$c16.95$d12.71$i0061053147$n0002790965$sactive
938 $aBrodart$bBROD$n49011561$c$16.99
938 $aBaker and Taylor$bBTCP$n96014196
938 $aYBP Library Services$bYANK$n30949
029 1 $aAU@$b000012279381
029 1 $aGBVCP$b197760902
029 1 $aHEBIS$b049448455
029 1 $aNZ1$b2954209
029 1 $aYDXCP$b30949
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 313 OTHER HOLDINGS