| Record ID | harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:315842512:1525 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01525cam a2200325Ii 4500
001 014238631-6
005 20141217224735.0
008 140428s2014 enka c 000 0deng d
015 $aGBB468912$2bnb
016 7 $a016775322$2Uk
020 $a1780672284 (hbk.)
020 $a9781780672281 (hbk.)
035 $a(PromptCat)99960797128
035 0 $aocn883464435
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dCDX$dYDXCP$dBTCTA$dBDX$dYNK$dUAB$dVP@$dUOK$dIXA$dCGP
050 4 $aTR642$b.S567 2014
082 04 $a779$223
100 1 $aShore, Robert$q(Robert M.),$eauthor.
245 10 $aPost-photography :$bthe artist with a camera /$cRobert Shore.
246 3 $aPost photography
264 1 $aLondon :$bLaurence King Publishing,$c2014.
300 $a272 pages :$billustrations (chiefly color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aThe real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before.
505 0 $aPost-photography is... -- Something borrowed, something new -- Layers of reality -- All the world is staged -- Hand and eye -- Post-photojournalism.
650 0 $aPhotography, Artistic.
988 $a20141127
906 $0OCLC