MARC Record from harvard_bibliographic_metadata

LEADER: 03023cam a2200337 a 4500
001 013191265-8
005 20120523130810.0
008 110913s2012 enka b 000 0 eng d
015 $aGBB1B1385$2bnb
020 $a9781841504704 (pbk.)
020 $a184150470X (pbk.)
035 0 $aocn790707213
040 $aNLE$cNLE$dCDX$dYDXCP
043 $aa-ir---
050 4 $aPN
082 04 $a791.430955$223
100 1 $aEsfandiary, Shahab.
245 10 $aIranian cinema and globalization :$bnational, transnational, and Islamic dimensions /$cby Shahab Esfandiary.
260 $aBristol :$bIntellect,$c2012.
300 $axi, 240 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references.
505 0 $apt. I THEORETICAL FRAMEWORK -- ch. 1 Making Sense of Globalization -- Introduction -- The global field -- Global flows -- A framework of the globalization theories -- ch. 2 The Concept of National Cinema: Theorization and Critique -- Introduction -- National cinema as `intertextual symptom' -- National cinema as cultural/economic weapon -- National cinema as `the other' of Hollywood -- National cinema as `cultural specificity' -- The relevance of `national cinema' in the age of globalization: Arguments for and against -- Conclusion -- pt. II IRANIAN CINEMA AND GLOBALIZATION -- ch. 3 Iranian Cinema in the World Cinema Circuit: Politics, Economics and Aesthetics -- The foundations of a `new cinema' -- The emergence of Muslim film-makers -- Debate and controversy over international awards -- The economics and politics of international festivals -- Selecting the examples -- ch. 4 Mohsen Makhmalbaf's `Transnational' Cinema and Globalization -- Introduction --
505 0 $aCritique of the `transnational institution of art' -- Makhmalbaf: From `the local' to `the transnational' -- Banal transnationalism -- Sex and Philosophy -- Scream of the Ants -- The rise and fall of an `idol' -- Transnational film-makers and territorial attachments -- Conclusion -- ch. 5 Daryush Mehrjui's `National' Cinema and Globalization -- Introduction -- The complex relation of `the national' and `the Islamic' -- Iranian cinema's new wave and the early impact of globalization -- Mehrjui and the post-revolution circumstances -- The Lodgers -- Mum's Guests -- Conclusion -- ch. 6 Ebrahim Hatami-kia's `Sacred Defense' Cinema and Globalization -- Introduction -- Muslim Film-makers: From Makhmalbaf to Hatami-kia -- The Scout: Constructing the image of the basiji -- From Karkhe to Rhine: Recognition of `the other' -- Glass Agency: Return of the rebel -- Conclusion -- Conclusion -- Appendices -- Appendix I Interview with Abbas Kiarostami -- Appendix II Interview with Majid Majidi --
505 0 $aAppendix III Interview with Emad Afroogh -- Appendix IV Interview with Mohammad-reza Jafari-jelveh.
650 0 $aMotion pictures$zIran$xHistory.
650 0 $aMotion pictures and globalization$zIran.
655 7 $aHistory.$2fast
899 $a415_565471
988 $a20120522
049 $aHLSS
906 $0OCLC