| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:128685102:1498 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01498cam a2200361 a 4500
001 013111693-2
005 20141103152631.0
008 120424s2012 gw b 001 0 eng d
010 $a 2012562478
016 7 $a016066741$2Uk
020 $a9783631635759
020 $a3631635753
035 0 $aocn768169155
040 $aBTCTA$beng$cBTCTA$dDLC$dYDXCP$dOHX$dBWK$dNDD$dUKMGB$dOCLCF$dOCLCQ$dCHVBK$dHMU
042 $alccopycat
050 00 $aML3811$b.B83 2012
100 1 $aBucht, Gunnar,$d1927-
245 10 $aAeolian harp :$ban essay concerning the nature of tone /$cGunnar Bucht.
260 $aFrankfurt am Main ;$aNew York :$bPeter Lang ;$cc2012.
300 $a119 p. ;$c21 cm.
500 $a"English translation: Roger Tanner"--T.p.
504 $aIncludes bibliographical references (p.113-115) and index.
520 $aThis work is an attempt to take the phenomen of tone as the starting point in an understanding of the phenomenon of music. Such thoughts were already present in the author's previous works, but, being available only in Swedish, will be enlarged here.
505 0 $aPreliminaties -- Tone and sound -- Tone and Myth -- Tone and space -- Tone and music -- Tone and meaning -- Reference -- Index.
650 0 $aTonality.
650 0 $aMusic$xPhilosophy and aesthetics.
650 7 $aMusic$xPhilosophy and aesthetics.$2fast
650 7 $aTonality.$2fast
700 1 $aTanner, Roger.$4trl
899 $a415_565637
988 $a20120303
049 $aHMUU
906 $0OCLC