| Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:508396734:1657 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:508396734:1657?format=raw |
LEADER: 01657nam a22002898a 4500
001 000634066-0
005 20020606090541.3
008 870102s1987 nyu 00011 eng
010 $a 86031627
020 $a0394555201 :$c$16.95
035 0 $aocm15083209
040 $aDLC$cDLC
043 $an-us---
050 0 $aPS3557.O669$bT4 1987
082 0 $a813/.54$219
100 1 $aGordon, Mary,$d1949-
245 10 $aTemporary shelter /$cby Mary Gordon.
260 0 $aNew York, NY :$bRandom House,$c1987.
300 $a213 p. ;$c25 cm.
505 00 $tTemporary shelter --$tThe imagination of disaster --$tDelia --$tThe only son of the doctor --$tThe neighborhood --$tWatching the tango --$tAgnes --$tThe magician's wife --$tOut of the fray --$tThe thorn --$tEileen --$tNow I am married --$tThe murderer guest --$tThe other woman --$tBilly --$tSafe --$tThe dancing party --$tViolation --$tMrs. Cassidy's last year --$tA writing lesson.
520 $aIt is possible in realistic fiction to create the witch as hero, but you must place her in another moral context, and you cannot call her a witch. The use of multiple contexts is an option of the writer of the fiction we are now used to, but you must be sure your values are clear to the reader.
651 0 $aUnited States$xSocial life and customs$y20th century$vFiction.
655 7 $aFiction.$2fast
776 08 $iOnline version:$aGordon, Mary, 1949-$tTemporary shelter.$b1st ed.$dNew York, NY : Random House, ©1987$w(OCoLC)571108312
776 08 $iOnline version:$aGordon, Mary, 1949-$tTemporary shelter.$b1st ed.$dNew York, NY : Random House, ©1987$w(OCoLC)609089551
988 $a20020608
906 $0DLC