An edition of Tonality as drama (2008)

Tonality as drama

closure and interruption in four twentieth-century American operas

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Last edited by MARC Bot
November 29, 2023 | History
An edition of Tonality as drama (2008)

Tonality as drama

closure and interruption in four twentieth-century American operas

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

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Publish Date
Language
English
Pages
221

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Previews available in: English

Edition Availability
Cover of: Tonality as drama
Tonality as drama: closure and interruption in four twentieth-century American operas
2008, University of North Texas Press
in English

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Book Details


Table of Contents

Tonality as drama : an introduction
Dramatic closure : the Stanislavsky system and the attainment of character objectives
Tonal closure : a Schenkerian approach to tonal drama
The completed background line with open-ended coda : Scott Joplin's grand opera Treemonisha (1911)
The multi-movement Anstieg or initial ascent : George Gershwin's folk opera Porgy and Bess (1935)
The multi-movement initial arpeggiation : Kurt Weill's Broadway opera Street scene (1947)
The prolonged permanent interruption : Aaron Copland's operatic tone poem The tender land (1954).

Edition Notes

Includes bibliographical references and index.

Published in
Denton, Tex

Classifications

Dewey Decimal Class
782.10973
Library of Congress
MT95 .L37 2008, MT95.L37 2008

The Physical Object

Pagination
p. cm.
Number of pages
221

ID Numbers

Open Library
OL16752394M
Internet Archive
tonalityasdramac00lath
ISBN 13
9781574412499
LCCN
2008013679
OCLC/WorldCat
220098192
Goodreads
4442957

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
November 29, 2023 Edited by MARC Bot import existing book
February 17, 2023 Edited by ImportBot import existing book
December 27, 2022 Edited by MARC Bot import existing book
December 20, 2020 Edited by MARC Bot import existing book
September 25, 2008 Created by ImportBot Imported from Library of Congress MARC record