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De Britse kunstenaar Glenn Brown maakte in de jaren negentig furore met zijn krachtige en ontluisterende bewerkingen van Oude Meesters. Deze borduurden vaak voort op het werk van Rembrandt. Dit boek beschrijft de vele verschijningen van de grootmeester van de Gouden Eeuw in het werk van Brown. In een nieuwe serie etsen refereert Glenn Brown wederom aan Rembrandt.
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Glenn Brown
2016, Fondation Vincent van Gogh Arles, Analogues, maison d'édition pour l'art contemporain
in French
2358640921 9782358640923
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Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
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Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
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Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
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Book Details
Edition Notes
Published on the occasion of the exhibition held at the Museum Het Rembrandthuis, Amsterdam, 27 January-23 April 2017.
Parallel texts in Dutch and English.
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Work Description
For Brown, one of Britain's most renowned contemporary artists, the past and present are treasuries of raw material, offering countless images, titles, and techniques to be combined, appropriated, and deconstructed. Mining an extensive knowledge of art history, as well as of literature, music, and popular culture, Brown creates complex and sensuous works of art that are resolutely of our time. The title of exhibition, taken from a song in Shakespeare's play Cymbeline, evokes the ineluctability of death. The exhibition, comprising oil paintings, drawings in period frames, grisaille panel works, etchings, and sculptures, attests to the ever-intensifying dexterity with which Brown employs paint, content, and form. It teems with contrasts and contradictions, collapsing time, and allowing different, often opposing, references to exist simultaneously.
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