{"type": {"key": "/type/edition"}, "publish_date": "2016", "publish_country": "sp", "languages": [{"key": "/languages/spa"}], "authors": [{"key": "/authors/OL11852694A"}], "oclc_numbers": ["954436050"], "lc_classifications": ["ML171.D98 G65 2016", "ML315.2", "ML315.2 .G35 2016"], "dewey_decimal_class": ["781"], "series": ["Estudios sobre m\u00fasica antigua -- 1", "Estudios sobre m\u00fasica antigua -- 1."], "notes": {"type": "/type/text", "value": "D. M. Duran (1465-1529), Spanish music theorist and choirmaster.\n\nIncludes bibliographical references (pages 317-331) and index."}, "links": [{"url": "http://bookdata.stanford.edu/casalini/suauth/60/79/60797077.pdf", "title": "Table of contents"}, {"url": "http://www.columbia.edu/cgi-bin/cul/resolve?clio12166501", "title": "TOC"}], "subjects": ["Influence", "Music", "Music theory"], "subject_times": ["To 1500", "16th century"], "subject_people": ["Domingo Marcos Dur\u00e1n", "Domingo Marcos Dur\u00e1n (ca. 16./17. Jh)"], "subject_places": ["Spain"], "title": "La teor\u00eda de canto de \u00f3rgano y contrapunto en el Renacimiento espa\u00f1ol", "subtitle": "la Sumula de canto de organo de Domingo Marcos Dur\u00e1n como modelo", "by_statement": "Santiago Gal\u00e1n G\u00f3mez", "publishers": ["Editorial Alpuerto"], "publish_places": ["Madrid (Espa\u00f1a)"], "isbn_13": ["9788438104965"], "isbn_10": ["8438104967"], "pagination": "339 pages", "number_of_pages": 339, "source_records": ["marc:marc_columbia/Columbia-extract-20221130-025.mrc:56168173:1849", "marc:harvard_bibliographic_metadata/20220215_045.bib.mrc:161462665:2565"], "works": [{"key": "/works/OL32650112W"}], "key": "/books/OL44463563M", "latest_revision": 2, "revision": 2, "created": {"type": "/type/datetime", "value": "2022-12-19T04:13:06.793134"}, "last_modified": {"type": "/type/datetime", "value": "2026-08-09T21:48:23.713118"}}