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For Brown, one of Britain's most renowned contemporary artists, the past and present are treasuries of raw material, offering countless images, titles, and techniques to be combined, appropriated, and deconstructed. Mining an extensive knowledge of art history, as well as of literature, music, and popular culture, Brown creates complex and sensuous works of art that are resolutely of our time. The title of exhibition, taken from a song in Shakespeare's play Cymbeline, evokes the ineluctability of death. The exhibition, comprising oil paintings, drawings in period frames, grisaille panel works, etchings, and sculptures, attests to the ever-intensifying dexterity with which Brown employs paint, content, and form. It teems with contrasts and contradictions, collapsing time, and allowing different, often opposing, references to exist simultaneously.
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Glenn Brown
2016, Fondation Vincent van Gogh Arles, Analogues, maison d'édition pour l'art contemporain
in French
2358640921 9782358640923
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Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
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6
Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
|
zzzz
Libraries near you:
WorldCat
|
7
Glenn Brown
2009, Tate Liverpool, In association with Tate Pub., Distributed in the United States and Canada by Harry N. Abrams
in English
1854378775 9781854378774
|
zzzz
Libraries near you:
WorldCat
|
8 |
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Book Details
Table of Contents
Edition Notes
Published on the occasion of an exhibition held at Gagosian (20 Grosvenor Hill), London, from January 24-March 17, 2018.
Includes bibliographical references (pages 202-209).
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The Physical Object
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- Created December 18, 2022
- 2 revisions
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January 31, 2023 | Edited by ImportBot | import existing book |
December 18, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |