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This collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.
Steve Godwin is a graphic designer, book artist and poet, with a BA from UNC-Chapel Hill and a BFA from Corcoran College of Art and Design in Washington, DC. He studied book binding at The Penland School of Craft in western N.C. in 2005. His artist books have been included in exhibitions at Bookworks in Asheville and at The Design Gallery in Burnsville, N.C. Steve was awarded poetry residencies at The Vermont Studio Center in 2006 and 2008. In 2010, he co-published a book of his poems coupled with photographs by Rick Ruggles. Steve currently is working on a collaboration with a photographer focusing on the N.C. Museum of Art.
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Subjects
Violence, Pictorial works, Booksellers and bookselling, Bombings, Iraq War, 2003-2011, Protest movements, Books and reading in art, Intellectual life, Social conditions, Censorship, Terrorism in art, In art, War and civilization, Vehicle bombs, Visual literature, Specimens, Artists' books, Al-Mutanabbi Street CoalitionPeople
Steve GodwinPlaces
Iraq, Baghdad, North Carolina, CarrboroTimes
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Edition Notes
Printed in an edition of 10.
Medium: archival inkjet print (giclée); binder's boarc, used teabags, acrylic color; linen thread; linen tape; tyvek spine reinforcement.
"Artistic expression contends with the inconceivable act of random slaughter. It grapples with the paradox that the inconceivable has become commonplace. This is the starting point for the poem and the book A vein of prayer. The image of smoke is intended to evoke both the aftermath of atrocity and the plea of spirit that goes up in such a devastating circumstance. Linking the murder of human life to the murder of the book is a plea for the culture of connection, abundantly symbolized by the neighborhood of Al-Mutanabbi Street. The book contains prayers solicited from a large number of collaborators in response to the bombing. They are written from a multiplicity of perspectives, both religious and non-religious, in English, Spanish and Arabic. A vein of prayer is a plea for humanity"--The Book Arts at the Centre for Fine Print Research, UK website.
On March 5th, 2007, a car bomb exploded on al-Mutanabbi Street in Baghdad. Al-Mutanabbi Street is located in a mixed Shia-Sunni area. More than 30 people were killed and more than 100 wounded. Al-Mutanabbi Street, the historic center of Baghdad bookselling, holds bookstores and outdoor bookstalls, cafes, stationery shops, and even tea and tobacco shops. It has been the longstanding heart and soul of the Baghdad literary and intellectual community for centuries. In response to the attack, a San Francisco poet and bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists' books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition of contributing artists calls itself Al-Mutanabbi Street Starts Here Coalition.
Gift; Beau Beausoleil; 2019-2020.
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