{"type": {"key": "/type/edition"}, "publish_date": "2005", "publish_country": "enk", "languages": [{"key": "/languages/eng"}], "authors": [{"key": "/authors/OL715797A"}], "oclc_numbers": ["63389491"], "lc_classifications": ["PN1996"], "dewey_decimal_class": ["808.23"], "notes": {"type": "/type/text", "value": "Originally published: New York : St. Martin's, 2004.\n\nIncludes index."}, "description": {"type": "/type/text", "value": "Drawing on decades of pracitacl experience David Howard deconstructs the craft of screenwriting and reveals how to build a good story from the ground up."}, "table_of_contents": [{"level": 0, "title": "The story", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The telling of the story", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The creation of drama", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Foundations", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Carpentry and craftsmanship", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Time and storytelling", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "What is drama?", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The three acts", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Sequences", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Crucial moments", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Subplots", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The classical screenplay structure", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The single unbreakable rule of drama", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Anything but classical screenplay structure", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The limits of classical, the beginnings of revolutionary", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "How to shake up classical structure", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "and why", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "Before the first draft", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "The first draft", "type": {"key": "/type/toc_item"}}, {"level": 0, "title": "After the first draft.", "type": {"key": "/type/toc_item"}}], "subjects": ["Motion picture authorship"], "title": "How to build a great screenplay", "subtitle": "a master class in storytelling for film", "by_statement": "David Howard", "publishers": ["Souvenir"], "publish_places": ["London"], "isbn_10": ["0285637266"], "isbn_13": ["9780285637269"], "pagination": "xvi, 445 pages", "number_of_pages": 445, "ocaid": "howtobuildgreats0000howa_r6i3", "source_records": ["ia:howtobuildgreats0000howa_r6i3", "amazon:0285637266", "promise:bwb_daily_pallets_2021-03-04", "bwb:9780285637269"], "full_title": "How to build a great screenplay a master class in storytelling for film", "covers": [11455348], "works": [{"key": "/works/OL3928888W"}], "key": "/books/OL32823167M", "local_id": ["urn:bwbsku:KP-137-999"], "latest_revision": 4, "revision": 4, "created": {"type": "/type/datetime", "value": "2021-07-19T04:52:18.026404"}, "last_modified": {"type": "/type/datetime", "value": "2024-06-17T03:20:43.744336"}}