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In 'Politics of art' Zhiguang Yin investigates members of the Creation Society and their social network while in Japan. The study contextualises the Chinese left-wing intellectual movements and their political engagements in relations with the early 20th century international political events and trends in both East Asia and Europe.00The Creation Society was largely viewed as a subject of literary studies. This research, however, evaluates these intellectuals in the context of Chinese revolution and elaborates their theoretical contribution to the Chinese Communist Party’s practice of “theoretical struggle” as a main driving force of ideological construction. As this study tries to demonstrate, theoretical struggle drives the ideological politics forward while maintaining its political vigour.
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Subjects
Intellectual life, Intellectuals, Political activity, Chinese literature, Societies, Chinese, Chinese students, Politics and literature, Communist parties, Politics and government, Cultural policy, Historiography, Intellectuals, japan, Chinese, foreign countries, Students, political activity, Japan, politics and government, 1945-, China, politics and government, China, historiographyTimes
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Politics of art: the creation society and the practice of theoretical struggle in Revolutionary China
2014, Brill
in English
9004281770 9789004281776
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Edition Notes
Includes bibliographical references (pages 231-255) and index.
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- Created November 13, 2020
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August 10, 2024 | Edited by MARC Bot | import existing book |
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November 13, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |