An edition of American Film (1975)

American Film, Volume III, Number 7

May 1978

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Last edited by Vinnie Rattollee
November 28, 2016 | History
An edition of American Film (1975)

American Film, Volume III, Number 7

May 1978

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

Publish Date
Language
English
Pages
80

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Book Details


Table of Contents

Kodak Ad. John Frankenheimer Page 1
The Editing Room. Page 3
Hollis Alpert
Comment: Funny Money. A meditation, laced with cynicism, on "Hollygate." Page 4
Richard Schickel
Letters. Page 6
Lehman at Large: He Who Gets Hitched. At last - a screenwriter pierces the veil of Hitchcockian creation. Page 8
Ernest Lehman
John Ford and Monument Valley. How Ford came there makes a curious story with a curious hero. Page 10
Todd McCarthy
Jay Sandrich: "The Best There Is". The man behind the scenes of "Soap." AND the woman behind him. Page 18
Robert Sklar
The Ambivalent Star. George Segal, Jacqueline Bisset, and Robert Morley stew over their roles in "Someone is Killing the Great Chefs of Europe. Page 25
Bernard Drew
Hollywood Versus the Press. Long before Begelmania, Hollywood was the whipping post of the scandal-hungry press. Page 30
Stephen Zito
Dialogue on Film: Edith Head. The doyenne of Hollywood designers, whose costumes have decorated a thousand films - everything from "She Done Him Wrong" to "The Sting" - talks about a half century of costume creations and about her new projects, for film and television. Page 33
Lubitsch Was a Prince. One prince of a director pays homage to another. Page 55
Francois Truffaut
The Magician and the Movies. Part II of the illusionsts' romance with the cinema. Page 58
Erik Barnouw
AFI News. Page 65
About Television: Lincoln Center's Live Wire. John Goberman as the guiding spirit of "Live from Lincoln Center." Page 67
Martin Mayer
Explorations: The Teledramatists. In Connecticut, the Eugene O'Neill Center teaches playwrights how to write for television Page 70
David Napoleon
Letter from London. Is British filmmaking about to undergo a renascence? Page 72
Jonathan Rosenbaum
Books. Reviews. Page 74
George Wead. "Harold Lloyd: The King of Daredevil Comedy" by Ada, Reilly and "Charlie Chaplin" by John McCabe.
Edwin Diamond. "The Sponsor: Notes on a Modern Potentate" by Erik Barnouw
Thomas Cripps. "Motion Pictures, Television, and Radio: A Union Catalogue of Manuscripts and Special Collections in the Western United States" compiled and edited by Linda Harris Mehr
Periodicals. Page 80

Edition Notes

Cover photo of Monument Valley. $1.75 cover price.

Series
The Journal of the Film and Television Arts
Copyright Date
1978

Contributors

Editor
Hollis Alpert
Contributor
Todd McCarthy
Contributor
Robert Sklar
Contributor
Bernard Drew
Contributor
Stephen Zito
Contributor
Francois Truffaut
Contributor
Erik Barnouw
Contributor
Edith Head
Contributor
Richard Schickel
Contributor
Ernest Lehman
Contributor
Martin Mayer
Contributor
Davi Napoleon
Contributor
Jonathan Rosenbaum
Contributor
George Wead
Contributor
Edwin Diamond
Contributor
Thomas Cripps

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26202605M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B00200UND2, B000KEO3AY

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November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Added new cover
November 28, 2016 Created by Vinnie Rattollee Added new book.