An edition of American Film (1975)

American Film, Volume II, Number 8

June 1977

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Last edited by Vinnie Rattollee
November 21, 2016 | History
An edition of American Film (1975)

American Film, Volume II, Number 8

June 1977

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

Disney's "The Rescuers" cover photo. $1.75 cover price.

Publish Date
Language
English
Pages
80

Buy this book

Previews available in: English

Edition Availability
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Book Details


Table of Contents

The Editing Room. Page 2
Hollis Alpert.
Comment. Crimes of Taste - Is personal taste a matter of legality or aesthetics? Page 4
William G. Jones.
Letters. Page 5
McMurtry on the Movies. The Disappearance of Love - Hometown boy meets hometown girl just won't play anymore. Page 6
Larry McMurtry.
The Last of the "Nine Old Men". Some of Disney's original animators are still at work - this time on "The Rescuers." Page 10
John Culhane.
Focus on Education. Canadian Curriculum - Film courses up north are as varied as a Chinese menu. Page 17
Sam Kula.
New Grub Street - West. In the curious journey from script to production, can the conflict between television writers and producers ever be resolved? Page 18
Stephen Zito.
"Withdraw the Picture!" the Commissioner Ordered. The issue was sacrilege when New York's Paris Theatre played "The Miracle" in 1950. The theater's manager recounts her trial by censorship. Page 26
Dialogue on Film: Norman Lear. The creator of "All in the Family," "Mary Hartman," and other television hits talks about his early days in Hollywood, what he likes about his series, and why he wants to turn to making movies. Page 33
AFI News. Page 49
Has TV Become the Real Thing?. This past season assessed - some thoughts on television's use of reality and our complicity therein. Page 51
Robert Sklar.
Going Deeper with MacNeil and Lehrer. With a lot more than a few lines of commentary, the lively "Report" gives us what the nightly news can't. Page 56
Bruce Cook.
Festival Report. Los Angeles - Filmex 77 provided a diversity of the old and the new, the esoteric and the accessible. Page 62
Richard Whitehall.
Heartbreak Hollywood. When stardom dies, there is still the legend. But what happens to the star? Page 63
Bernard Drew.
Explorations. Ann Arbor Experiment: Two Views. This year demonstrated the staggering proliferation of the art. Page 68
Ellen Frank.
Edgar Daniels.
Books. Page 72
G. William Jones. Children as Addicts - A review of Marie Winn's "The Plug-In Drug."
Roger Greenspun. Dark Victories - A review of Thomas Cripp's "Slow Fade to Black: The Negro in American Film, 1900-1942."
Polly Platt. French Illusions - A review of Leon Barsacq's "Calligari's Cabinet and Other Grand Illusions: A History of Film Design"
Sound Track. The Good Years of Friedhofer - After nearly half a century in Hollywood, this composer is still making musical history. Page 77
Gene Lees.
Periodicals. Page 79

Edition Notes

Series
The Journal of the Film and Television Arts
Copyright Date
1977

Contributors

Editor
Hollis Alpert
Contributor
William G. Jones
Contributor
Larry McMurtry
Contributor
John Culhane
Contributor
Sam Kula
Contributor
Stephen Zito
Contributor
Robert Sklar
Contributor
Bruce Cook
Contributor
Richard Whitehall
Contributor
Bernard Drew
Contributor
Ellen Frank
Contributor
Edgar Daniels
Contributor
G. William Jones
Contributor
Roger Greenspun
Contributor
Polly Platt

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26201063M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B002QVQ0Z0

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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November 21, 2016 Edited by Vinnie Rattollee Edited without comment.
November 21, 2016 Edited by Vinnie Rattollee Edited without comment.
November 21, 2016 Edited by Vinnie Rattollee Added new cover
November 21, 2016 Created by Vinnie Rattollee Added new book.