An edition of American Film (1975)

American Film, Volume 1, Number 1

October 1975

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Last edited by Vinnie Rattollee
November 9, 2017 | History
An edition of American Film (1975)

American Film, Volume 1, Number 1

October 1975

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

Cover photo of Dustin Hoffman and Robert Redford.

$1.50 cover price. After this 88-page issue, the page count was reduced to 80.

Publish Date
Language
English
Pages
88

Buy this book

Previews available in: English

Edition Availability
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Book Details


Table of Contents

Focus on Education. Where Do Film Teachers Come From? Page 2 Festival Report. Garbo in Berlin Retrospective Page 4 Ad. 20th Century Fox congratulates George Cukor on the completion of principal photography of "The Blue Bird." Page 7 No Clue. Or Learning to Write for the Movies Page 9 Hollywood and the Newsroom. Each Has Glamorized the Other Page 14 The Long-Liberated Newswoman. Page 17 News That's Fit to Film. Park Row Was Not the Place Director Samuel Fuller Knew Page 20 Progress Report: All the President's Men. Filming It Like It Was - Watergate Goes Hollywood Page 25 Volley Ball, Square Dancing and Cinema. New England's Multi-Purpose Film Study Center Page 27 The Black Years of Dalton Trumbo. He Wrote Much More Than We Knew. The Oscar came late. 19 years late, to be exact, and Robert Rich is dead. Page 30 Dialogue on Film: David Brown and Richard Zanuck. Page 37 Ad. "3 Days of the Condor" Page 53 Silence: The Unique Experience. Silent Comedy Reconsidered Page 54 TV: The End of the Beginning. The Prospects Before Us Page 60 The Apotheosis of Bruce Lee. From Kung Fu to Cult Figure. An actor dies; a posthumous industry is born. Page 66 Lost and Found: Restoring The Blot. From the archives emerges forgotten woman director Lois Weber. Page 71 Member News. Page 73 Explorations. Page 78
On Hester Street.
The Participatory Film.
Books. Reviews.
America and Movie Myths. "America in the Movies; or Santa Maria, It Had Slipped My Mind" by Michael Wood Page 75 Bogart and Bacall. "Humphrey Bogart" by Nathaniel Benchley and "Bogart and Bacall" by Joe Hyams Page 76 Directors of the Seventies. "Directors and Directions: Cinema for the Seventies" by John Russell Taylor. Page 77 Fresh Light on Racial Themes: Blacks in American Film. "From Sambo to Superspade: The Black Experience in Motion Pictures" by Daniel J. Leab, and "Black Films and Film-Makers: A Comprehensive Anthology from Stereotype to Superhero" edited by Lindsay Patterson Page 85 Periodicals. Page 87

Edition Notes

Series
The Journal of the Film and Television Arts
Copyright Date
October 1975

Contributors

Writer
Samuel L. Grogg. Jr.
Writer
David Robinson
Writer
Larry McMurtry
Writer
Deac Rossell
Writer
Samuel Fuller
Writer
Harry Clein
Writer
Patrick McGilligan
Writer
Bruce Cook
Writer
Walter Kerr
Writer
Charles Champlin
Writer
Kenneth Turan
Writer
Anthony Slide
Writer
Mel Konecoff
Writer
Joan Micklin Silver
Writer
Tom Gunning
Writer
Arthur Schlesinger. Jr .
Writer
Alex Ward
Writer
Antonio Chemasi
Writer
Thomas Cripps
Editor-in-Chief
Hollis Alpert

The Physical Object

Format
Magazine
Number of pages
88

ID Numbers

Open Library
OL26200683M
Internet Archive
pdfy-FnaKnmyYOYt6cYJA
OCLC/WorldCat
499208661
Amazon ID (ASIN)
B004EVJN86

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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November 9, 2017 Edited by Vinnie Rattollee Internet Archive #
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November 19, 2016 Created by Vinnie Rattollee Added new book.