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Subjects
Motion picture audiences, Stereotypes (Social psychology) in motion pictures, Walt Disney Productions, African Americans in motion pictures, Convergence (Telecommunication), Song of the South (Motion picture), Race relations in motion pictures, Motion pictures, united statesPlaces
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Disney's most notorious film: race, convergence, and the hidden histories of Song of the South
2012, University of Texas Press
in English
- 1st ed.
0292739745 9780292739741
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Book Details
Table of Contents
Introduction
Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South
"Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South
"Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South
A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism
On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South
Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South
Conclusion.
Edition Notes
Originally presented as the author's thesis (doctoral)--Indiana University, 2009.
Includes bibliographical references and index.
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- Created July 18, 2012
- 7 revisions
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September 3, 2024 | Edited by MARC Bot | import existing book |
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July 18, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |