{"publishers": ["Palgrave Macmillan"], "subtitle": "Adam Smith, political economy, and the genre of realism", "isbn_10": ["0230290787"], "series": ["Palgrave studies in nineteenth-century writing and culture", "Palgrave studies in nineteenth-century writing and culture"], "covers": [8665879], "full_title": "The 'invisible hand' and British fiction, 1818-1860 Adam Smith, political economy, and the genre of realism", "lc_classifications": ["PR868.E37 C68 2011", "PN849.G74PN45-PN57HM"], "key": "/books/OL24917573M", "authors": [{"key": "/authors/OL6964707A"}], "publish_places": ["Houndmills, Basingstoke, Hampshire", "New York"], "subject_times": ["19th century"], "isbn_13": ["9780230290785"], "pagination": "xi, 251 p. ;", "source_records": ["marc:marc_loc_updates/v39.i29.records.utf8:11954991:1402", "ia:invisiblehandbri00cour", "bwb:9780230290785", "marc:marc_loc_2016/BooksAll.2016.part38.utf8:164040421:1402", "marc:marc_columbia/Columbia-extract-20221130-018.mrc:83847489:1852", "marc:harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:652786758:1653", "marc:harvard_bibliographic_metadata/20220215_002.bib.mrc:5720807:5885"], "title": "The 'invisible hand' and British fiction, 1818-1860", "dewey_decimal_class": ["820.9/355"], "notes": {"type": "/type/text", "value": "Includes bibliographical references and index."}, "number_of_pages": 251, "languages": [{"key": "/languages/eng"}], "lccn": ["2011004360"], "subject_places": ["Great Britain"], "subjects": ["Economics in literature", "Capitalism and literature", "History and criticism", "Influence", "Capitalism in literature", "Social problems in literature", "English fiction", "History"], "subject_people": ["Adam Smith (1723-1790)"], "publish_country": "enk", "publish_date": "2011", "by_statement": "by Eleanor Courtemanche", "oclc_numbers": ["692287882"], "works": [{"key": "/works/OL16014037W"}], "type": {"key": "/type/edition"}, "description": {"type": "/type/text", "value": "Some economic ideas are too interesting to be left to economists. This book argues that Adam Smith's metaphor of the 'invisible hand' \u2086 in which selfish economic actions are mysteriously transformed into aggregate social benefits in a capitalist economy \u2086 implies an entire spatial and temporal system in which the morality of any particular action can only be understood in the context of society as a whole. The 'Invisible Hand' and British Fiction argues that while political economists focused only on the optimistic outcomes of capitalist moral activity, Smith's model of ironic morality also influenced the work of novelists including Austen, Dickens, Martineau, Thackeray, Gaskell, and Eliot. Their realist novels represent the reconciliation between individual ignorance and systemic overview as much less stable than the economic synthesis, using omniscient narrative voices, multiple perspectives, and humor to depict a wide variety of possible outcomes. Smith shares with the realists a vision of modern society that is structured around a fragile trust in the benefits of unintended consequences."}, "latest_revision": 9, "revision": 9, "created": {"type": "/type/datetime", "value": "2011-07-30T12:15:11.765175"}, "last_modified": {"type": "/type/datetime", "value": "2025-04-24T08:50:50.366747"}}