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"These prints both reflected and sought to shape contemporary debate about the role of women in society. While attitudes varied considerably, the general consensus was that women were more visible in society than ever before - on the streets, on the stage, on the walls of the Royal Academy, on the hustings, and in the pleasure gardens. The satirical prints of the period reveal perceptions of women and their behaviour as prostitutes and courtesans, wives and mothers, old maids and widows. Cindy McCreery's detailed exploration of this relatively neglected genre extends our knowledge of contemporary attitudes towards women and offers an important new dimension to our understanding of Georgian culture."--Jacket.
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Previews available in: Undetermined
| Edition | Availability |
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1
SATIRICAL GAZE: PRINTS OF WOMEN IN LATE EIGHTEENTH-CENTURY ENGLAND.
2004, CLARENDON/OXFORD
in Undetermined and English
0199267561 9780199267569
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2
The Satirical Gaze: Prints of Women in Late Eighteenth-Century England (Oxford Historical Monographs)
March 11, 2004, Oxford University Press, USA
in English
0199267561 9780199267569
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- Created November 16, 2008
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| November 9, 2025 | Edited by MARC Bot | import existing book |
| September 30, 2024 | Edited by MARC Bot | import existing book |
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| December 7, 2022 | Edited by ImportBot | import existing book |
| November 16, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |


