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Last edited anonymously
April 29, 2008 | History

Michael Betancourt

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  • Cover of: Cinematic Articulation in Motion Graphics

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  • Cover of: Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space

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  • Cover of: Glitch Art in Theory and Practice: Critical Failures

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  • Cover of: Ideologies of the Real in Title Sequences, Motion Graphics and Cinema

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  • Cover of: Typography and Motion Graphics: The 'Reading-Image'

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  • Cover of: Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics

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  • Cover of: Semiotics and Title Sequences: Text-Image Composites in Motion Graphics

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  • Cover of: Title Sequences As Paratexts: Narrative Anticipation and Recapitulation

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  • Cover of: Research Art: Glitches, Poetics, Typography and the Aura of the Digital

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  • Cover of: Force Magnifier: The Cultural Impacts of Artificial Intelligence

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  • Cover of: Harmonia: Glitch, Movies and Visual Music

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  • Cover of: The Critique of Digital Capitalism: An Analysis of the Political Economy of Digital Culture and Technology

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  • Cover of: Structuring Time: Notes On Making Movies

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  • Cover of: Visual Music Instrument Patents: Volume One

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  • Cover of: The History of Motion Graphics
    First published in 2013 2 editions in 1 language — 1 previewable

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  • Cover of: Ideologies of the Real in Motion Graphics and Title Sequences

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  • Cover of: UnTTLD_GLTCH
    First published in 2015 1 edition in 1 language

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  • Cover of: Portfolio: A Compendium of Movies and Statics, 1990-2021

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  • Cover of: Art, AI and Culture: On the Social Identity Threat Posed by Technological Change

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  • Cover of: A Short Guide to Writing About Motion Graphics

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History

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April 29, 2008 Created by an anonymous user initial import