William Wells Brown's wife, Annie G. Brown, "so much admired the character of Clotelle as to name [their] daughter after the heroine."
An edition of Passing and the Rise of the African American Novel
(2001)
Passing and the rise of the African American novel
by M. Giulia Fabi
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Subjects
African Americans in literature, Utopias in literature, Passing (Identity) in literature, Intellectual life, Race awareness in literature, History and criticism, Racially mixed people in literature, Race in literature, Group identity in literature, African American authors, American fiction, African Americans, Passing (Identité) dans la littérature, Auteurs noirs américains, Roman, Rassische Identität <Motiv>, Mulâtres dans la littérature, Rassenbeziehung <Motiv>, Passing, Race dans la littérature, Amerikaans, Identité collective dans la littérature, Roman américain, Conscience de race dans la littérature, Noirs américains dans la littérature, Negers, Histoire et critique, Romans, Race awareness, Racially mixed people, African americans in literature, American fiction, african american authors, history and criticismShowing 2 featured editions. View all 2 editions?
| Edition | Availability |
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1
Passing and the Rise of the African American Novel
October 27, 2004, University of Illinois Press
Paperback
in English
0252072480 9780252072482
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2
Passing and the rise of the African American novel
2001, University of Illinois Press
in English
0252026675 9780252026676
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Book Details
Table of Contents
The mark without : subversive mulattas and mulattos in the fiction of William Wells Brown and Frank J. Webb
Race travel in turn-of-the-century African American utopian fiction
"New people" and invisible men in Charles W. Chesnutt's The house behind the cedars
The mark within : parody in James Weldon Johnson's The autobiography of an ex-colored man
Tres-passing in African American literary criticism.
Edition Notes
Includes bibliographical references (p. [165]-181) and index.
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