An edition of Analysis Through Composition (1996)

Analysis through composition

principles of the Classical style

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Last edited by ultra boom
February 16, 2024 | History
An edition of Analysis Through Composition (1996)

Analysis through composition

principles of the Classical style

  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

Nicholas Cook's Analysis Through Composition: Principles of the Classical Style, is a first: a manual of classical-style composition that thoroughly and explicitly incorporates the treatises, exercises, arrangements, compositional sketches, and fragments left behind by eighteenth-century composers

Publish Date
Language
English
Pages
204

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Edition Availability
Cover of: Analysis through composition
Analysis through composition: principles of the Classical style
1996, Oxford University Press
in English
Cover of: Analysis Through Composition
Analysis Through Composition: Principles of the Classical Style
Publisher unknown
Hardcover

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Book Details


Table of Contents

Introduction. A page of music Page 1
I. Harmony and texture Page 13
1. Arrangement Page 15
2. Accompaniment Page 29
II. Harmony and line Page 41
3. Melody and bass Page 43
4. Modulation and chromaticism Page 53
5. A lesson from Mozart Page 66
III. Variation and expansion Page 79
6. Varying a line Page 82
7. Keyboard variation Page 94
8. The classic composer's workshop Page 109
9. Cadenzas Page 119
IV. Sonata Page 143
10. The complementation of dance and fantasy Page 146
11. Three into two will go Page 157
12. A sonata in the making Page 183
Conclusion. 196
Appendix 1. A checklist of classical harmony Page 198
Appendix 2. Instrumental ranges Page 199
Glossary. 200
Worksheets. 205

Edition Notes

Published in
Oxford, New York

Classifications

Dewey Decimal Class
781
Library of Congress
MT6.C775 A53 1996, MT6.C775A53 1996

The Physical Object

Pagination
xiii, 204 p. :
Number of pages
204

ID Numbers

Open Library
OL1118472M
ISBN 10
0198790139
LCCN
94044695
Library Thing
1505581
Goodreads
934353

Excerpts

Assignment 25: Here Mozart has written only the first half of a minuet, but he has provided three alternative bass lines of increasing complexity. ... Add inner parts to each version, basing what you write on Mozart’s figures, and complete the minuet.

Assignment 35: ... Example 77 shows all that exists of [a] piece ... written in Leopold Mozart’s hand. ... It was presumably intended to have a second half. ... Construct a second half by using the same materials in the same order as in the first half, transposed as necessary. You need only write two new bars of music: a second-time bar for the first half ... and the final bar of the second half.

Assignment 47: Example 105 is the first half of a sonata movement by Antonio Soler, a Spanish composer who died in 1783. The original is in a fully-fledged sonata form as described in this chapter. Try to reconstruct it. ... [T]here is no need to write out all the music that is simply transposed from the first half, but you should say whether it is to be transposed up or down.
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February 16, 2024 Edited by ultra boom Edited without comment.
February 16, 2024 Edited by ultra boom Edited without comment.
November 18, 2020 Edited by MARC Bot import existing book
July 31, 2020 Edited by ImportBot import existing book
December 9, 2009 Created by WorkBot add works page