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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:160221615:5408
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:160221615:5408?format=raw

LEADER: 05408cam a2200649 i 4500
001 on1015848681
003 OCoLC
005 20180921160830.0
008 180104s2018 nyu e 000 1 eng
010 $a2017060556
020 $a9781524742959$q(hardcover)
020 $a1524742953$q(hardcover)
035 $a(OCoLC)1015848681
037 $aBRO-copy20180731-091$aBRO-cust20180731-091
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCQ$dTXB$dOCLCO$dJSE$dOI6$dSFR$dUtOrBLW
042 $apcc
043 $an-us-ny
049 $aSFRA
050 00 $aPS3604.A95695$bM38 2018
082 00 $a813/.6$223
092 $aF$bDAVIS FI
100 1 $aDavis, Fiona,$d1966-$eauthor.
245 14 $aThe masterpiece :$ba novel /$cFiona Davis.
264 1 $aNew York, New York :$bDutton,$c[2018]
300 $a350 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort"--$cProvided by publisher.
610 20 $aGrand Central Terminal (New York, N.Y.)$vFiction.
650 0 $aArtists$vFiction.
650 0 $aArt$vFiction.
650 0 $aSexism$vFiction.
651 0 $aNew York (N.Y.)$vFiction.
655 7 $aHistorical fiction.$2gsafd
655 7 $aMystery fiction.$2gsafd
776 08 $iOnline version:$aDavis, Fiona, 1966-$tMasterpiece.$bFirst edition.$dNew York, New York : Dutton, 2018$z9781524742966$w(DLC) 2018000513
907 $a.b35763334$b12-06-18$c06-01-18
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907 $a.b35763334$b09-16-18$c06-01-18
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