| Record ID | marc_oapen/oapen.marc.utf8.mrc:16684858:1320 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:16684858:1320?format=raw |
LEADER: 01320 am a22002533u 450
001 442726
005 20191210
007 cu#uuu---auuuu
008 191210s|||| xx o 0 u eng |
020 $a9789089644718
024 7 $a10.26530/OAPEN_442726$2doi
041 0 $aeng
042 $adc
072 7 $aAPFA$2bicssc
100 1 $aBalsom, Erika$4aut
245 10 $aExhibiting Cinema in Contemporary Art
260 $a$bAmsterdam University Press$c2013
300 $a260
520 $aWhether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theatre and the home, but also in the art gallery and the museum. The author of this engaging study takes stock of this development, offering an in-depth inquiry into its genesis, its defining features, and the ramifications it has for art and cinema alike. Through the lens of contemporary art history, she examines cinema studies? great disciplinary obsession ? namely, what cinema was, is, and will become in a digital future.
546 $aEnglish.
650 7 $aFilm theory & criticism$2bicssc
653 $afilm studies
856 40 $uhttp://www.oapen.org/download?type=document&docid=442726$zAccess full text online
856 40 $uAll rights reserved$zLicense