MARC Record from Miami University of Ohio

LEADER: 05750cam 2200301Ia 4500
001 ocm69660553
005 20080103085906.0
008 060531r20051970nyua 001 0 eng d
020 $a0823023753 (pbk.)
020 $a9780823023752 (pbk.)
040 $aJVX$cJVX$dJVX$dCRH$dVP@
049 $aOHMM
090 $aNC730$b .D4 1970
100 1 $aDe Reyna, Rudy,$d1914-
245 10 $aHow to draw what you see /$cby Rudy de Reyna
250 $a35th anniversary ed
260 $aNew York :$bWatson-Guptill Publications,$c[2005]
300 $a175 p. :$bill. ;$c26 cm
500 $aIncludes index
500 $aOriginally published: 1970
500 $aEdition statement from book cover
505 0 $apt. 1. Fundamentals of drawing -- project 1. Basic structure of objects -- Drawing straight lines -- Drawing lines freehand -- Holding the pencil -- Angle and direction of lines -- project 2. Eye level : foundation of perspective -- Changing shapes and eye level -- Vanishing points -- Cube in perspective -- Judging size relationships -- Objects below eye level -- Practice exercises -- project 3. Drawing cubic objects -- Cubic forms in everyday things -- Searching with lines -- Handling detail -- Refining with tracing paper -- project 4. Drawing cylindrical objects -- Drawing curved lines -- Observing cylindrical forms -- Rendering cylindrical objects -- Ellipses and perspective -- project 5. Drawing spherical objects -- Departures from the geometric sphere -- Depth and the sphere -- project 6. Drawing conical objects -- Symmetry of the cone -- Drawing everything -- project 7. Putting basic forms together -- Basic forms and their relationships -- Drawing symmetrical objects -- Drawing and observation -- project 8. The horizon plane -- Relating objects -- Contours -- Creating a composition -- Selecting a viewpoint -- Perspective in a still life -- Working with actual objects -- A brief summary -- project 9. Light and shade -- Observing light and shadow -- Light and dimension -- Tonal values -- Using the full tonal scale -- Cast shadows -- Shadow edges -- Angle of light -- Level of light -- project 10. Translating local color to black and white -- Using a middle tone -- Values and tones -- Tonal arrangement -- Rendering texture -- Tactile and visual textures -- project 11. Drawing a still life -- Copying versus drawing from life -- Composition and construction -- Laying down correct tones --
505 0 $aproject 12. Drawing with charcoal -- Vine and compressed charcoal -- Powdered charcoal -- Erasers and blenders -- Papers -- Toned papers -- Fixative -- Charcoal's versatility -- Ease of manipulation -- project 13. Still life in charcoal -- Four drawing principles -- Hard and soft edges -- Working from "roughs" -- Composing a still life -- Practice versus theory -- project 14. Drawing outdoors -- Natural light -- Light at different times of day -- Observing the effects of light -- Reflected light -- Searching for basic forms -- Using a viewfinder -- Drawing on the spot -- project 15. Drawing outdoors with charcoal -- Advantages and disadvantages of charcoal -- Capturing the moods of nature -- Rendering specific objects -- Rough charcoal sketches -- Finished drawings in charcoal -- project 16. Drawing the figure -- Basic body proportions -- Cylindrical human form -- Some body measurements -- Foreshortening -- Drawing from life -- Working over the whole figure -- Light and shadow on the figure -- project 17. Drawing hands and feet -- Drawing feet -- Drawing hands -- Finding your niche -- project 18. Drawing heads and faces -- A general procedure -- Angles and planes of the head -- Facial guidelines -- Male and female features -- Drawing the head and face from life -- Drawing the nose -- Drawing ears -- Drawing eyes and eyebrows -- Drawing the mouth -- Life drawing from memory? -- project 19. Drawing children -- Drawing the infant's head -- Drawing the teenager -- Male and female characteristics in children -- Capturing a child's character --
505 0 $apt. 2. Drawing in various media -- project 20. Wash techniques -- Pigment and mixer -- Surfaces -- Brushes -- Additional equipment -- Properties of wash -- Flat wash -- Wet-in-wet technique -- Graded wash -- Drybrush -- Linear effects -- project 21. Drawing with wash -- Working drawings -- Realism first -- project 22. A still life in wash -- Arranging and lighting -- Using a graded wash -- Eliminating pencil lines -- Preparing tone -- project 23. Outdoors with wash -- Transporting your materials -- Suiting your medium to your subject -- project 24. Opaque techniques -- Characteristics of opaque -- Pigments -- Brushes and drawing surfaces -- Accessories -- Drybrush blending -- Wet blending -- Working toward craftsmanship -- project 25. Still lifes in opaque -- Establishing the large shapes -- Balancing textures -- Using transfer paper -- Paint consistency -- Support for the hand -- Controlling opaque -- Suitability of opaque -- project 26. Outdoors with opaque -- Opaque watercolor and nature -- Materials to take along -- Choosing a subject -- project 27. Acrylic techniques -- Brushes, pigment, and surfaces -- Characteristics of acrylic -- Versatility of acrylic -- project 28. Still life in acrylic -- Composition and movement -- Considering picture space -- project 29. Outdoors with ink and mixed media -- Ink and additional equipment -- Two ink techniques -- Outdoors with mixed media -- project 30. Drawing children in various media -- Nudes versus children -- Children in opaque -- A parting word
650 0 $aDrawing$xTechnique
907 $a.b37417666$b01-03-08$c01-03-08
998 $ahal$b01-03-08$cm$da$e-$feng$gnyu$h0$i1
945 $g1$i35054029621444$j0$lhali $o-$p$0.00$q-$r-$sl$t0$u0$v0$w0$x0$y.i45044697$z01-03-08