An edition of The BreakBeat poets (2015)

The BreakBeat poets

new American poetry in the age of hip-hop

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Last edited by
July 27, 2023 | History
An edition of The BreakBeat poets (2015)

The BreakBeat poets

new American poetry in the age of hip-hop

  • 0 Ratings
  • 3 Want to read
  • 1 Currently reading
  • 0 Have read

"This is the first anthology of poems by and for the hip-hop generation . . . It includes more than four decades of poets and covers the birth to the now of hip-hop culture and music and style"--page xv.

Publish Date
Publisher
Haymarket Books
Language
English
Pages
350

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Previews available in: English

Edition Availability
Cover of: The BreakBeat Poets
The BreakBeat Poets: New American Poetry in the Age of Hip-Hop
Sep 20, 2019, Haymarket Books
hardcover
Cover of: The BreakBeat poets
The BreakBeat poets: new American poetry in the age of hip-hop
2015, Haymarket Books
in English
Cover of: BreakBeat Poets
BreakBeat Poets: New American Poetry in the Age of Hip-Hop
2015, Haymarket Books
in English

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Book Details


Table of Contents

Kevin Coval : Introduction
Randall Horton (1961) : An (i)witness say he still had the mike in his hand
Joel Dias-Porter aka DJ Renegade (1962) : Turning the tables ; Wednesday poem
Thoas Sayers Ellis (1963) : An excerpt from Crank shaped notes
Quraysh Ali Lansana (1964) : Mascot ; Crack house ; Seventy-first & King Drive
Evie Shockley (1965) : Duck, duck, redux ; Post-white
Tony Medina (1966) : Everything you wanted to know about hip hop but where afraid to be hipped for fear of being hopped ; The keepin' it real awards
Willie Perdomo (1967) : Shit to write about ; Word to everything I love ; Writing about what you know
Mario (1967) : Agate
Roger Bonair-Agard (1968) : Honorific or black boy to black boy ; Fast - how I knew ; In defense of the code-switch or why you talk like that or why you gotta always be cussing
Lynne Procope (1969) : Shine (for Joe Bataan) ; All night
Patrick Rosal (1969) : B-boy infinitives ; Kundiman ending on a theme from t la rock ; A note to Thomas Alva ; Ode to the cee-lo players
Tracie Morris : Untitled
Jason Carney (1970) : America's pastime
LaTasha N. Nevada Diggs (1970) : Who you callin' a jynx? (after mista popo) ; Damn right it's betta than yours ; Gamin' gabby
Mitchell L. H. Douglas (1970) : Manifesto, or ars poetica #2 ; Preface to a twenty volume homicide note
Adrian Matejka (1971) : Beat boxing ; Robot music
Jessica Care Moore (1971) : mic check, 1-2
John Murillo (1971) : Ode to the crossfader ; 1989 ; Renegades of funk
Francine J. Harris (1972) : Stitches ; Pull down the earth ; This is a test
T'ai Freedom Ford (1973) : How to get over (senior to freshman) ; how to get over (for my niggas) ; how to get over (for Kanye)
Suheir Hammad (1973) : Break (rebirth) ; Break (sister) ; Break (embargo)
Marty McConnell (1973) : The world tells how the world ends ; Object
John Rodriguez (1973-2013) : Bronx bombers ; What I saw was not your funeral ; At my best
Mariahadessa Ekere Tallie (1973) : Paper bag poems ; Global warming blues ; Sunday ; Possible (for Amiri Baraka)
Tara Betts (1974) : Hip hop analogies ; Switch
Paolo Javier (1974) : From all convulsions
Douglas Kearney (1974) : Quantum spit ; No homo ; Drop it like it's hottentot venus
Avery R. Young (1974) : A prayer fo mama Brenda Matthews (warrior brew) ; After an artis(t) talk
Lemon Andersen (1975) : The future
Michael Cirelli (1975) : The message ; Astronomy (8th light)
Kevin Coval (1975) : The crossover ; Jewtown ; Molemen beat tapes ; White on the block
Jericho Brown (1976) : Motherland
Mahogany L Browne (1976) : When 12 play was on repeat ; Upon viewing the death of basquiat ; nameless
Aracelis Girmay (1977) : Elegy in gold ; Break
Idris Goodwin (1977) : Say my name ; Old ladies and dope boys ; These are the breaks
Enzo Silon Surin (1977) : Corners
Mayda Del Valle (1978) : It's just begun
Denizen Kane (1978) : Ciphers pt. 1 ; Vigil pt. 1
Paul Martinez Pompa : I have a drone
Kyle Dargan (1980) : Crews ; Slang ; O.P.P.
Tarfia Faizullah (1980) : 100 bells : Nocturne in need of a bitch ; Blossoms in the dark ; Self-portrait as slinky
Samantha Thornhill (1980) : Elegy for a trojan ; Ode to a star fig ; Ode to gentrification ; Ode to a killer whale
Aleshea Harris (1981) : Harbor
Jacob Saenz (1982) : Evolution of my block ; Evolution of my profile ; GTA : Sandreas (or, 'Grove Street bitch!')
Nadia Sulayman (1982) : Bint ibrahim
Sarah Blake (1984) : Ha ha hum ; Adventures
Adam Falkner (1984) Small poems for big
Marcus Wicker (1984) : Stakes is high ; When I'm alone in my room sometimes I stare at the wall, and in the back of my mind I hear my conscience call ; Ars poetica in the mode of j-live ; Bonita applebum
Michael Mlekoday (1985) : Self portrait with gunshot vernacular ; Self portrait from the other side ; Thaumaturgy
Kristiana Colon (1986) : To the notebook kid
Ciara Miller (1987) : In search of black birds
Morgan Parker (1987) : Let me handle my business, damn
Joshua Bennett (1988) : When asked about my hometown : an admission ; When asked about my hometown : an anecdote ; Love letter to Zack, the black power ranger
Alysia Nicole Harris (1988) : When I put my hands in the air it's praise
Britteney Black Rose Kapri (1988) : Winthrop Ave. ; We house : after Krista Franklin's definition of funk
Angel Nafis (1988) : Legend ; Ghazal for my sister ; Conspiracy : A suite ; Gravity
Jose Olivarez (1988) : Ode to the first white girl I ever loved ; Home court
Joy Priest (1988) : No country for black boys
Ocean Vuong (1988) : Always & forever ; Self-portrait as exit wounds ; Prayer for the newly damned ; Daily bread
Fatimah Asghar (1989) : When tip drill comes on at the frat party or, when refusing to twerk is a radical form of self-love ; Unemployment ; Pluto shits on the universe
Franny Choi (1989) : Pussy monster ; Impulse buy
Nate Marshall (1989) : On caskets ; Prelude ; Picking flowers ; Juke
Aaron Samuels (1989) : Broken ghazal in the voice of my brother jacob
Danez Smith (1989) : Cue the gangsta rap when my knees bend ; Twerk (v.) ; Dinosaurs in the hood ; Dear white America
Jamila Woods (1989) : Defense ; Blk girl art ; Deep in the homeroom of doom ; Daddy dozens
Benjamin Alfara (1990) : What the eyes saw
Safia Elhillo (1990) : A suite for ol' dirty
Aziza Barnes (1992) : Juicy (an erasure)
Camonghne Felix (1992) : Badu interviews Lamar (an erasure) ; Police
Steven Willis (1992) : Beat writers
Reed Bobroff (1993) : Four elements of ghostdance
Malcolm London (1993) : Grand slam
Kush Thompson (1994) : This, here
E'mon McGee (1996) : My niece's hip-hop
Angel Pantoja (1997) : Murder is my name
Nile Lansana (1997) and Onam Lansana (1999) : Lesson one
Ars poeticas & essays
Quraysh Ali Lansana : Art, artiface, & artifact
T'ai Freedom Ford : Artist statement
Michael Mlekoday : Artist statement
Douglas Kearney : Artist statement
Angel Nafis : Artist statement
Aziza Barnes : A locus of control and the erasure
Tara Betts : Life is good : How hip-hop channels duende
roger Bonair-Agard : Journeying to the break : The cost of the pilgrimage
Patrick Rosal : The art of the mistake : Some notes on breaking as making
Nate Marshall : Blueprint for breakbeat writing
Reprinted poems
Acknowledgments
Biographies.

Edition Notes

Adult Follett School Solutions.

Published in
Chicago
Other Titles
Break Beat poets

Classifications

Dewey Decimal Class
811/.608
Library of Congress
PS617 .B743 2015, PS615

The Physical Object

Pagination
xxii, 350 pages
Number of pages
350

ID Numbers

Open Library
OL26887865M
Internet Archive
breakbeatpoetsne0000unse_g7q0
ISBN 10
1608463958
ISBN 13
9781608463954
LCCN
15106044
OCLC/WorldCat
899155665

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
July 27, 2023 Edited by publication, correcting IA link
January 13, 2023 Edited by ImportBot import existing book
December 21, 2022 Edited by MARC Bot import existing book
October 10, 2020 Edited by ImportBot import existing book
May 15, 2019 Created by MARC Bot Imported from marc_openlibraries_phillipsacademy MARC record