“I started writing this as a 17th-century novel. In this novel, it was easy to write from the point of view of the main character, a priest or Ama's mother, or a man without a name, or a Goddess Lilith, I wanted to bring in the many first-person singular voices, starting with an animal, a bat who is a story teller, moving to Pythagoras, to people who meet Ama within the setting of her coffee house. This narrative framework is 50% inspired with the Yin mind-set, dreamy and emotional and 50% factual, male, mind driven.” Says the Author in the Interview.

“Holding up a mirror to society of ancient worlds can be fanatical or too obvious within the storytelling environment, so I had to break the rhythm with myths, with art, with dreams.” Sunday Times