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Phillips, M. Blake's early poetry. |
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Bindman, D. Blake's Gothicised imagination and the history of England. |
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Essick, R. N. The altering eye: Blake's vision in the Tiriel designs. |
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Leavis, F. R. Justifying one's valuation of Blake. |
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Miles, J. Blake's frame of language. |
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Tolley, M. J. Blake's songs of spring. |
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Hagstrum, J. H. Christ's body. |
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Knight, G. W. The chapel of gold. |
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Erdman, D. V., Dargan, T. and Deverell-Van Meter, M. Reading the illuminations of Blake's Marriage of heaven and hell. |
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Warner, J. Blake's figures of despair: Man in his spectre's power. |
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Eaves, M. The title-page of The book of Urizen. |
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Beer, J. Blake, Coleridge, and Wordsworth: some cross-currents and parallels, 1789-1805. |
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Paley, M. D. William Blake, The prince of the Hebrews, and The woman clothed with the sun. |
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Butlin, M. Blake, the Varleys, and the graphic telescope. |
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Lister, R. References to Blake in Samuel Palmer's letters. |
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Hoover, S. R. William Blake in the wilderness: a closer look at his reputation, 1827-1863. |
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Bentley, G. E., Jr. Geoffrey Keynes's work on Blake: Fons et Origo, and a checklist of writings on Blake by Geoffrey Keynes, 1910-1972. |
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